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DOJOS:
Relocated to Las Vegas, NV
HAWAII
GEORGIA
FLORIDA
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OKINAWA
KENPO KOBUDO
- Okinawa Kenpo Page
- Ryukyu Hon
Federation
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Hawaii Kodanshakai
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Japanese Terminology & Vocabulary
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Counting |
| Ichi |
One |
Ni |
Two |
| San |
Three |
Shi |
Four |
| Go |
Five |
Roku |
Six |
| Sichi |
Seven |
Hachi |
Eight |
| Ku |
Nine |
Ju |
Ten |
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OFFICIAL OKDR INSTRUCTOR TERMINOLOGY
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Term
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Meaning
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| HANSHI |
Master of the Arts. Usually 55 years old and older with 35+ years of experience. 8th Degree Black and above. |
| KYOSHI |
Also considered a Master. Given to 6th or 7th Degree Black belt with 25+ years of experience. Usually 40 years old and above. |
| RENSHI |
A well-acclaimed Martial Artist with 15+ years in the arts. Usually 30 and over, but may be as young as 25 in some cases. Can be a Chief Instructor with his/her own school. |
| SENSEI |
Literally means “One who has been before”. Not necessarily chronological age, but in experience. A teacher – a title given to Chief Instructor of a dojo. A Black belt is not a Sensei unless he/she is running a dojo or has devoted themselves to assisting a Chief Instructor. A Black belt must have at least a minimum of 6 years of martial arts training to be considered a Sensei and usually a Sandan rank. |
| SEMPAI |
Senior student. Black belt assistant. Sometimes given to a Brown belt who assists in running a dojo.
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| KOHAI |
Junior student. One who has less time or rank than yourself |
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Hand Techniques |
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Foot Techniques |
| Nakadaka ken |
Middle finger knuckle first |
Keri (geri) |
Kick |
| Ko uchi |
Bent wrist strike |
Mae
geri (keage) |
Front snap kick |
| Kuma-de |
Bear hand |
Mae
geri (kekomi) |
Front thrust kick |
| Empi |
Elbow strike |
Mawashi
geri |
Round house kick |
| -Tsuki (zuki) |
Punch or thrust |
Ushiro
geri |
Back thrust kick |
| -Uchi |
Strike |
Yoko
geri (keage) |
Side snap kick |
| Choki zuki |
Straight punch |
Yoko
geri (kekomi) |
Side
thrust kick |
| Ura-ken uchi |
Back fist strike |
Nidan
geri |
Double front snap kick (back leg first) |
| Shuto uchi |
Knife hand strike |
Ren
geri |
Double front snap kick (front leg first) |
| Nukite zuki |
Finger thrust |
Ashi barai |
Foot sweep |
| Shotei
uchi |
Palm heel strike |
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| Shotei
zuki |
Palm heel thrust |
General Vocabulary |
| Mawashi
zuki |
Round hook punch |
Migi |
Right |
| Tate
zuki |
Vertical punch |
Hidari |
Left |
| Kizami
zuki |
Leading punch |
Jodan |
Upper area |
| Oi zuki |
Lunge punch |
Chudan |
Middle area |
| Gyaki
zuki |
Reverse punch |
Gedan |
Lower area |
| Nihon
zuki |
Double punch |
Kamae |
Combative posture |
| Sanbon
zuki |
Triple punch |
Hajime |
Begin |
| Ura
Zuki |
Inverted fist |
Yame |
Stop |
| Sieken
zuki |
Forefist strike |
Rei |
Bow |
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Awase zuki |
U - Punch |
Yoi |
Ready |
| Hieko
zuki |
Parallel punch |
Kime |
Focus |
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Mokuso |
Meditave / Seiza position |
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Blocking Techniques |
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Stances |
| Uke |
Block |
-Dachi (tachi) |
Stance |
| Uke (jodan) |
Rising Block
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Heisoku dachi |
Close foot stance (feet together) |
| Chudan |
Chest Area
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Musubi dachi |
Formal attention stance (heels together, feet at an angle) |
| Gedan barai |
Downward block
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Heiko dachi |
Parallel stance (feet should width apart)
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| Shuto uki |
Knife hand block
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Hachi dachi |
Natural stance (feet should width apart, toaes slightly pointed out)
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| Ko uki |
Wrist block
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Seiko dachi |
Straddle leg stance
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| Gedan uchi barai |
Outside downward block (open hand)
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Kiba dachi |
Horse riding stance |
| Chudan uchi-uke |
Inside-out chest block
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Sanchin dachi |
Hourglass stance
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| Soto uke |
Sweeping block
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Zenkutsu dachi |
Front stance
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Fudo dachi |
Free stance |
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Kokutsu dachi |
Back stance |
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Neko ashi dachi |
Cat stance |
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Seisan dachi |
Side facing straddle stance |
MOKUSO
(Bowing-in and bowing-out)
The time has come to clear the mind and prepare for the vigorous training about to come.
For a few moments prior to the actual training, in seiza position, a period of silence is held throughout the dojo. The mind is still and not even the soft breathing can be heard. It is a time to tune into the Karate - Do and tune out all of the day’s trials and tribulations. It is time for the mind, body and soul to work as one.
At the end of the class, as one sits in Mokuso, a student calms himself and prepares to reemerge into the proper attitude capable of meeting the world in a friendly and confident way.
COMMENTS:
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Please have your eyes closed during mokuso. You should work on your breathing, inhaling through the nose and exhaling through the mouth with your back straight and hands flat on your lap. You can open your eyes when bowing-in starts.
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If you are late and mokuso is already in progress, please stand still on the side, be quiet and do not interrupt. Wait until the bowing-in is over, then you may join the class.
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Mokuso has nothing to do with any religious sect and is merely a formality and tradition.
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Copyright
© 2005, Dharma-Ryu Dojo. All
Rights Reserved.
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